I used to think I was the one bringing music into this house.
I write the songs. I book the shows. I’m the one humming a new melody while I’m making dinner, driving carpool, or folding laundry at eleven at night because that’s apparently when inspiration likes to show up uninvited.
But somewhere along the way, I started noticing something. My kids weren’t just along for the ride. They were teaching me things about music, and about myself, that twenty years on a stage never did.
They Don’t Perform. They Just Sing.
Watch a child sing sometime. Really watch. They’re not thinking about pitch or presentation or whether the bridge lands right. They’re just singing because it feels good to sing.
I’ve spent a career thinking about phrasing, about how a lyric sits in a room, about whether a chorus is catchy enough to matter. All of that has its place. But my kids reminded me that the very first reason any of us fell in love with music wasn’t strategy. It was joy. Somewhere between the studio and the setlist, it’s easy to forget that the whole thing started as pure fun.
Repetition Isn’t the Enemy
If you’ve ever had a five-year-old ask for “the same song again” for the fifteenth time in a row, you already know where this is going.
As a songwriter, I used to treat repetition like something to avoid, always chasing the next idea, the next hook, the next thing. My kids taught me that returning to something you love isn’t a lack of imagination. It’s devotion. There’s a reason certain songs get requested over and over in our house, and it’s the same reason certain songs get requested over and over on the radio. Familiarity isn’t boring. It’s comfort. It’s home.
They Hear What I Miss
Kids catch things. A harmony you almost skipped. A word you mumbled instead of sang clearly. A song on the car radio that you weren’t even paying attention to, until your kid pipes up from the backseat singing it note for note.
Their ears are wide open in a way mine sometimes aren’t anymore, worn down by years of listening critically instead of just listening. They remind me that a great song doesn’t need my professional opinion to be great. It just needs someone to feel it. And nobody feels things faster or more honestly than a kid.
Music Is a Language They Already Speak
I didn’t have to teach my children to love music. I only had to let them see me love it out loud, unapologetically, imperfectly, at the kitchen counter with a wooden spoon standing in for a microphone.
That’s the part of this job nobody puts on a press release. Somewhere between the shows and the sessions, I’m also raising people who are watching how I handle a bad rehearsal, a good review, a long night, an early morning. They’re learning what it looks like to keep showing up for something you love.
I set out to give my kids music. Turns out they’ve been quietly handing pieces of it right back to me the whole time, teaching me to sing louder, laugh easier, and stop worrying so much about getting it right.
Some lessons you can’t write in a song. You just have to live them, preferably with a five-year-old singing backup.





